Karmo Järv

Information

Karmo Järv is a digital artist and designer working across moving image, CGI, applied AI and physical objects. Full-time at FutureDeluxe; independently directs music videos and makes physical objects.

More about

Selected clients

  • Apple
  • Ferrari
  • Nike
  • Moncler
  • Merrell
  • META
  • Aston Martin
  • Nothing
  • Arc'teryx
  • Prada
  • Adidas
  • Volvo

Studio + agencies

  • FutureDeluxe
  • Hotel Creative
  • AKQA

Based

  • United Kingdom, London
  • Estonia, Tallinn

Contact

VoiceToy

Information

Discipline
Speculative design
Project
BA graduation work
School
Estonian Academy of Arts, Graphic Design BA
Tutor
Norman Orro
Function
Mimics vocal performance, recorded with face tracking
Medium
3D, physical prototype
Materials
Silicone, SLA resin, PLA, titanium wire, LEDs, elastic strap
Year
2021

Description

From prehistoric roars to intellectual conversations, speech has been the most important means of communication. It allows us to form connections, motivate change and influence decisions. Without it, the ability to progress in the world would be nearly impossible.

Speech also has a limitation – how can one convey emotions and experiences through mere vocalization of words? Hand gestures can add emphasis and structure, give clues about the emotional state yet undermine itself when dealing with complex scenarios. Adding sound cues to the equation gives us the freedom to speculate in this realm, by providing a universal set of samples which most of us already have stored in our heads. Sound then becomes a vital part for telling a story by adding a layer of various samples, tunes and sound effects. It creates tension which changes our perception and binds us to that story.

VoiceToy is a speculative tool, a voice synthesis prosthetic. It is capable of extracting a cinematic layer of audio from the storyteller’s mind and adding it on top of the conventional voice by enhancing it for further narration experience. Sensors embedded in the silicone band link the VoiceToy to the auditory cortex of the brain, which acts as an interface for the audio data to pass through to the tips of the 30 transceivers placed around the silicone band. These transceivers then vibrate accordingly, producing a near field surround sound. Its design moves away from the expectation that assistive technologies need to be concealed, and cherishes their appearance, giving us the ability to use its potential to enrich life itself.